Learn how to beautifully dance
the Quick Open REverse
Silver Level Figure. A swift left turn with elegant sway and controlled rise.
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The Quick Open Reverse is a dynamic silver figure that injects vitality into Quickstep routines, perfect for transitioning across the floor. Its combination of sharp turns and sustained sway creates a captivating visual flow, embodying the dance’s joyful spirit. Like a sailboat deftly changing tack in the wind, this figure captures the essence of effortless motion and partnership harmony.
For the full list of Quickstep figures corresponding to each medal level, see Quickstep Figure List.
Quick Open Reverse (Man)
Commence in Closed Position,
| # | Count | Alignment | Steps | Footwork | Turn | Rise & Fall | CBM | Sway | Moving | Position |
| 1 | S | com to turn | com to rise e/o 1 | |||||||
| 2 | Q | (1→2) | cont to rise | |||||||
| 3 | Q | (2→3 | cont to rise | |||||||
| 4 | S | body turns to R | Up. Lower e/o 4 |
Step 1 (Slow: 2 beats)
Commence facing diagonal center, stepping forward on the left foot with heel-toe footwork while applying strong contra body movement to initiate a left turn. Keep shoulders parallel to your partner, rising slightly at the end of the beat without lifting the heel prematurely. Maintain neutral sway with an upright spine, focusing on smooth weight transfer into the standing leg. Your head remains looking toward your partner with a soft focus, preserving frame integrity through gentle pressure in the right hand. Anchor your stance with grounded knees to support the lady’s balance during rotation.
Step 2 (Quick: 1 beat)
Step side-right onto the toe, backing diagonal wall as your body completes a 3/8 left turn between steps 1–2. Rotate your left side forward using controlled hip rotation while sustaining upward momentum through the ankles. Apply pronounced left sway by stretching your right side upward, creating a diagonal line from left hip to right shoulder. Keep your head turned slightly right toward line of dance, maintaining frame connection through the lady’s back. Synchronize shoulder alignment with hip movement to avoid tilting during the turn.
Step 3 (Quick: 1 beat)
Step back-left in CBMP along line of dance, landing on the toe before lowering to the heel as your body turns an additional 1/8 left. Sustain left sway by elongating the right side while keeping hips forward, controlling descent through bent knees. Maintain a firm yet flexible frame, with right arm supporting the lady’s outside position as your head follows the turn direction. Ensure your left shoulder remains open to prevent collapsing the partnership shape. Initiate backward momentum from your center—not your shoulders—for seamless travel.
Step 4 (Slow: 2 beats)
Step back-right on the toe along line of dance, returning to neutral sway and straightening your body alignment. Apply contra body movement to prepare for subsequent figures like a reverse pivot, lowering fully at the beat’s end. Relax your frame without losing connection, allowing head to ease naturally toward the center. Keep hips level and weight centered between both feet to stabilize the partnership. Minimize step size to retain momentum control for upcoming sequences.
Quick Open Reverse (Lady)
Commence in Closed Position,
| # | Count | Alignment | Steps | Footwork | Turn | Rise & Fall | CBM | Sway | Moving | Position |
| 1 | S | T | com to turn | com to rise e/o 1 | ||||||
| 2 | Q | (1→2) | cont to rise | |||||||
| 3 | Q | (2→3 | cont to rise | |||||||
| 4 | S | body turns to R | Up. Lower e/o 4 |
Step 1 (Slow: 2 beats)
Begin backing diagonal center, stepping back-right with toe-heel footwork while matching the man’s contra body movement to initiate the left turn. Curve your step slightly inward, rising late in the beat as your lower body rotates ahead of your torso. Keep left side pressed firmly to the man’s frame, with head turned left and spine neutral. Engage your core to prevent upper-body anticipation, allowing his lead to guide rotation. Channel rotation energy downward through your supporting leg for stability.
Step 2 (Quick: 1 beat)
Step side-left onto the toe toward line of dance, letting your body complete 1/2 left turn while maintaining right sway. Swing your left hip upward diagonally as you rise fully, stretching your right side to create opposition against the man’s frame. Rotate your body under a steady head position before shaping rightward, keeping shoulders aligned with hips. Sustain connection through your rib cage, avoiding forward head weight. Visualize drawing a crescent moon with your left foot to enhance fluidity.
Step 3 (Quick: 1 beat)
Step forward-right in CBMP outside partner, landing on the toe facing line of dance before lowering to the heel. Advance your right hip confidently toward the man while sustaining right sway, controlling descent through ankle flexibility. Keep your left side extended within the frame as head remains right, creating a unified body line. Match his speed precisely to prevent rushing the outside position. Drive forward from your back leg’s momentum—not upper-body lean.
Step 4 (Slow: 2 beats)
Step forward-left on the heel along line of dance, returning to neutral sway and centered frame. Relax into the lowered position while preparing for next steps, keeping weight forward over the ball of the foot. Soften your head turn toward the man’s shoulder without losing postural extension. Maintain light but responsive hand contact to receive directional cues. Keep steps compact to preserve partnership synchronization and flow.
General Notes
Core Points
- Lead with strong contra body movement on step 1 to initiate rotation smoothly, ensuring unified momentum.
- Complete exactly 3/8 left turn by step 2 (backing diagonal wall) and 1/8 more by step 3 (backing line of dance) for correct alignment.
- Execute heel-toe (leader step 1) and toe-heel (follower step 1) footwork precisely to support controlled rise.
- Rise late on step 1, sustain through steps 2–3, then lower at step 3’s end to achieve characteristic Quickstep lightness.
- Minimize step size on step 3 (back for leader, forward for follower) to maintain balance during directional shifts.
Advanced Elements
- Develop harmonious body lines by stretching into left sway (leader) and right sway (follower) during quick steps—like wings counterbalancing in flight.
- Keep frame connection firm but responsive through rotational phases to prevent gap or collision during outside positions.
- Coordinate head shaping with sway: leader looks along line of dance during turns; follower shapes right with delayed head return.
- Flow from sway to neutral on step 4 by softening side stretches gradually, preserving elegance without abruptness.
| Common mistake | Solution |
|---|---|
| Overstepping leader’s first step | Take a moderate stride to control rotation momentum. |
| Incorrect footwork on follower step 2 | Land cleanly on toe without heel contact. |
| Incomplete 3/8 turn by step 2 | Rotate hips decisively to reach backing diagonal wall. |
| Dropping rise prematurely on step 3 | Sustain body height until beat’s end before lowering. |
| Collapsed sway during quick steps | Stretch rib cage upward to maintain diagonal body line. |
| Frame break during outside position | Strengthen leader’s right arm and follower’s left side connection. |
“A pair of autumn leaves twirling in unison before settling into the river’s flow.”
Following Figures
Ready to move DC
| Bronze | |
| Silver | |
| Gold |
List of Abbreviations
| Steps | RF: Right foot LF: Left foot fwd: forward diag: diagonally CBMP: Contra Body Movement Position |
| Footwork | T: Toe H: Heel F: Flat |
| Turn | L: Left R: Right cont: continue com: commence |
| Alignment & Moving | LOD: Line of Dance DC: Diagonal Centre DW: Diagonal Wall |
| Rise & Fall | NFR: no foot rise com: commence cont: continue e/o: end of |
| Position | OP: outside Partner PP: Promenade Position CPP: Counter Promenade Position PO: Partner outside |
| Sway | L: Left R: Right F: Forward |
For a more detailed explanation of terms and abbreviations, see the Glossary.
Demonstrations
These 3rd party (external) demonstration videos typically show the Turning Lock to Right being performed from different angles, perspectives and speeds. However, they generally have little or no commentary or explanation.
For videos that also include commentary and tips that are aimed at assisting you perform the figure properly, see the next section “Tutorials”.
